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Review – Erotic Stories for Punjabi Widows

Erotic Stories for Punjabi Widows, a Mystery by Balli Kaur Jaswal

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️⭐️⭐️⭐️

It seems funny to say that there’s a lot going on in this book, since it isn’t particularly fast-paced. When pressed, I would call it a Mystery, but that’s an oversimplification. It also works as Women’s Fiction and Indian Fiction, and possibly even Literary Fiction. There’s even a romance, although it’s more of a subplot than a contribution to the multiple genres. The mystery itself takes a backseat most of the time, as the characters’ relationships and emotions are prioritised. I loved it all, from every side. This was the first of the books I managed to read in Recovery, and I’m sure it’s part of the reason I recovered so quickly.

Nikki is a modern sort of woman who struggles with her Sikh heritage. She carries a lot of guilt over her perceived failure to live up to the life her parents wanted her to have, which was made worse by the death of her father. Her life decisions show her desire to break away from tradition and embrace a more western philosophy of living–she left the family home to live in a flat above the pub she works in, lost her virginity long ago, and finds the idea of arranged marriage to be antiquated and undesirable.

When her sister asks Nikki to post a notice on the marriage board in the temple at Southall, Nikki soothes her own opposing views (“It’s against my principles,” she says) by finding the most obscure, covered part of the board. This is a great character establishing moment for Nikki. She isn’t so much lacking in conviction or particularly infused with it. More like opinionated and pigheaded about it, but not confident or secure enough in herself to make a clear stand. She talks a big game, and yet can be cowed by women she considers to be authority figures.

After accomplishing her unwanted task, Nikki comes across a flyer that appears to be requesting a creative writing teacher for a women only class. It appeals to her sense of feminism and drive to be a good person who does good works, and also promises supplementing income. She jumps right on it.

There are many other women whose story this is, particularly Kulwinder Kaur, and they are all strongly informed by past tragedy.  Most have managed to overcome it with a mix of humour and pragmatism. They join the class with the understanding that they’ll be learning basic literacy, and in an effort to escape the dull preschool-like curriculum that Nikki comes up with, the ladies start telling stories about sexual escapades. At first one of them transcribes while the others talk, but over time Nikki provides more streamlined and higher tech aides, such as a tape recorder.

It’s hard to talk about the mystery without getting into spoiler territory. It was one of the things I wasn’t completely aware would be a Thing before reading, although it somehow became one of the things I looked forward to the most. There’s a kind of rhythm to how everything comes up, which meant (for me) that some of the pacing could get a bit too slow while reading through a different subplot and wishing for more information about whatever I was more invested in at the time. While this could be almost frustrating, it did not result in any dropped plot threads.

There’s also a mystery element in getting to know all of the women. More and more come to the class, drawn by the rebellious fun of sharing dirty stories. Sometimes they tell more about the storyteller than a long conversation might ever have done. Everything from the prose to the pacing shines brightest when the narrative is focused on the characters.

The multiple crossing genres in this book make it an engaging read no matter what you’re looking for coming into it. The emotions are genuine and beautifully expressed. The characters are impactful. This is a book that stays with you.

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Thinking about Genre

If you go to TV Tropes (and I won’t link you, as that might be hazardous to your spare time), one of the first things you learn, after “TV Tropes will ruin your life,” is that “tropes are tools.” Genre is a collection of tropes that has been codified through repeated use. Some stories are half-genres (like vampire, werewolf, or zombie fiction), and some are… Westerns,

Genres, as tools, help to convey information to the reader in ways that aren’t necessarily explicit. When you write a Historical Romance, simply knowing that the story takes place in year 18XX in Country Y will tell you a lot about the story before you’ve even introduced the characters. When it’s done well, that is. Not naming any names.

Like the different shades of monster fiction, genres come in micro- and macro- versions, not to mention delicate little slices of subgenre representing mere collections of storytelling devices. Superheroes have seen a surge in recent years, but remember right after The Incredibles and the first X-Men films came out and everyone was taking potshots at capes and spandex? That didn’t get old effing immediately.

I know I’ve said it before, but it bears repeating. In their original context, capes and spandex were part of a very specific collection of tropes (to be precise, circus strong-man tropes), and it’s important to remember and respect that original context. Maybe things have changed since then, but there was a reason for them. It isn’t random, and it certainly isn’t stupid.

Tropes and genres as a topic of discussion may seem modern, even post-modern, but it’s important to note that discussion of storytelling elements goes back to Ancient Greek theatre, and many storytelling elements we take for granted–such as the three- and four-act structure and the happy ending–are very, very old ideas.

Every so often though, you get a movie or a comic or a book or a game that breaks down what we call “genre conventions.”

Sometimes these works launch entire new genres of their own, or they’re the first (or last) nail in the coffin of a particular genre. Don Quixote is a famous work of parody-pastiche that deconstructs the chivalric romance, which was cliched even by the time Quixote was written. Harry Potter wasn’t the first boarding school fantasy, but it’s one of the most notable now.

When the elements of a particular genre become so well-known that you can create a shorthand for the collection of elements themselves, it becomes possible to write in multiple genres within one. Going back to superheroes, you might not consider it this way, but Jekyll & Hyde is about the same sort of questions. Identity, duality of same, the purpose of morality as a social construct, and what drives a pleasant person with a seemingly enviable life to discard it for a shadowy path.

Jekyll was even created by a fantastic serum that turned him into a monster. Obviously no one is ever surprised to learn that story was part of the inspiration for The Incredible Hulk. A less abstract narrative, certainly, which has grown to include elements of acceptance and tolerance, perhaps taken from Beauty and the Beast.

The language of storytelling is a living thing, constantly growing and changing. Storytellers who see success in one area, be it video games, books, or comics–will try to tell a similar (or the same) story in their own medium of choice. And through recombination, sometimes we see the progeny of these adaptations return to their original medium.

Interestingly, genres seem elastic. Though specific tropes may mature in the translation from one medium to the next, a Western is a Western is a Western, and everyone knows that when it comes to zombies–you always aim for the head.

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Book Sorting 1 of ?

This has not been going as well as I had hoped. First off, the books that thought I had in storage are either in the house, or hidden in the back of the storage unit. So some of the books that I have been missing, are still unaccounted for. However, I still have a boatload of books that need sorting.

Some of them are in paper grocery bags, while others are in lidless boxes or in my many many library bookbags. I delved into those and found a lot of books I’m not going to read. Off to donation they will go. Mostly thrillers and the kind of suspense novels that aren’t my thing. I like to think that I can and do read everything, but there are still some genres that I am not enthusiastic about.

Although I’ve only gone through one box and about four bags, I suppose I feel accomplished. I needed to streamline my personal library, and although I was more invested in finding those storage books, I did find some books that I’m excited to add to my shortlist TBR when I’ve cut my current one down a bit more. (it’s still over 40…)

Highlights:

  • ​Some Liz Carlyle Historicals, like The Devil You Know
  • Harlequin Intrigues
  • Kanji dictionary Hubby is gonna need.

On a rather unrelated note, I am still exhausted thanks to the dietary needs of my sweet baby. I thought that I was being super smooth, writing this and the Tash Hearts Tolstoy review ahead of time, but then I realised that I scheduled them for the wrong year. After languishing out the week, now the blog looks like it’s supposed to, and hopefully I won’t make such a dumb mistake again. At least, not the same one.

Adventures in sleep deprivation may well reveal new dumb things of which I’m all too capable.

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Review – Tash Hearts Tolstoy

Tash Hearts Tolstoy, Contemporary YA by Kathryn Ormsbee

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️⭐️⭐️⭐️

Give me more main characters who love a dead Russian author to the degree of counting him as a boyfriend! That was what initially intrigued me (by design, one might safely assume) and it mostly held up. I loved the way it informed Tash’s romantic asexuality. She’s so easy to identify/empathise with, that I still don’t know if that even reflects on me or if she’s just a well-written teen who is basically cool and decent. Flawed, obviously, but that’s part of the point of the story–she grows up and improves as a person by the end.

For the sake of context, I read this book in the long hours of pre labour. Breathing through increasingly painful contractions isn’t exactly a picnic, so I was glad to have this to ameliorate the stress.

Tash is a fairly sheltered young woman who takes a lot for granted. Her friends are always there for her (including her online crush), she knows where she’s going to school after graduation and what she’ll be studying, and her family is a strong support system. She and one of her best friends produce a Youtube serial adaptation of Anna Karenina called Unhappy Families, which gains an insane boost in popularity when an established Youtuber gives them some positive press.

Her negative reactions to sudden fame are a bit predictable, but they’re also understandable and realistic. I struggled a bit as her bad behaviour clashed with her perception of herself. For someone who professed to be so close to her friends and grateful for the closeness of her relationship with both friends and family, Tash does an awful lot of lying by omission, and generally withholds information to her detriment. While this is certainly part of her character arc and addressed in the text, I couldn’t help thinking that she must have been a pretty shitty friend for a long time if she was so unaware of how to communicate.

Also, for clearly personal reasons, I wasn’t terribly thrilled with her treatment of her mother after the announcement of an unexpected pregnancy. Despite repeated mentions that the pregnancy was unplanned, Tash and her sister both questioned their mother’s reasons for having a baby. How does one have reasons for something completely unplanned? Is this an implication that they think she’s making a choice by not having an abortion? She also gets maligned for “keeping it secret” which is stupid, because especially with a pregnancy at that age, one does not announce it until about the second trimester because of the chance of miscarriage in the first. I get that Tash felt displaced, but I didn’t sympathise.

Although I have to admit that I don’t think I would like Tash’s web series if it were a real thing, the portrayal of the work involved in the production, especially the rough bits like stuff that can ruin a day’s shooting, was wonderful. The young actors run the gamut from Casual and always late to Overly “Professional” and insufferable but suffered because of Talent. The latter character actually surprised me in the end, which was awesome.

There’s some great representation for marginalised teens in this book. Not only is Tash herself asexual, but one of the actors in Unhappy Families is gay, and another is bisexual. It’s all very easygoing and natural, without too much underlining.

Although she is the main character, Tash still manages to take up more narrative real estate than necessary, which has the effect of leaving all of the other characters feeling underdeveloped and some go sidelined overlong because Tash is too wrapped up in herself. It’s brilliantly meta, as it ties directly in to her character arc.

The romance is about as predictable as the Youtube Stardom main plot, but once again, it’s done well enough that I wouldn’t really count that as a mark against the book. Tash’s relationship with her online crush develops slowly, and she gets to enjoy it as one of the things going well for her, but it’s also a major point of stress thanks to her not being out and not having a clue how to come out to basically anyone.

This is a great read overall, but particularly effective if you’re looking for something satisfying and not too twisty or demanding.

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Review – The Love Interest

The Love Interest, YA Gay Romance by Cale Dietrich

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️⭐️

My hopes were so high for this one, and for at least the first third, I managed to ride on those hopes without their being dashed. The writing style is punchy and funny. Even in first person present tense, the general hatred of which I am still getting over. (it’s a process.)

The opening world-building is a hopscotch court of meta jokes for YA readers. Love Interests are cultivated in a compound where they must hone their bodies to physical perfection, gaze at themselves in the mirror daily, learn pop culture so they can fit in, and fall into two factions categories: Nice and Bad. No names–they go by numbers until they are given a name and additional Pretties-esque makeover when they are assigned to make a person fall in love with them. Two Love Interests compete in a love triangle, and the one who is not chosen is doomed to die. But what happens when the Love Interests fall for each other?

Even in the beginning, I had a lot of minor nitpicks that I had to shelve in order to keep enjoying myself. While I liked the concept of the world-building, I never felt like it was very solid and it was certainly not without irritating holes. Why do they have to have plastic surgery when so much focus is placed on the strain of conventional beauty attained through grueling effort? Why are they stolen children? It didn’t bother me that this is what they were, but there wasn’t really any narrative reason. Why that source for the LIs? Why not test tube babies? Or sentient organic robots? Is this a dystopia or the regular world and the joke is that YA love interests in even straight-up contemporary YA are like this? The given reason for the entire Love Interest Compound is that they are matched to people who become influential/important and will presumably have privileged information with monetary value. This isn’t technically a bad reason, but it’s sort of dumped out there once and referenced after, but never actually explored. Which… describes much of the book.

One of the major indicators that someone was a Bad was that he had a bulkier musculature than a Nice, which didn’t work for me, since in my reading experience, YA Bad Boys are usually skinny angst pots. Exercise is wholesome, as is sunshine, and bad supposedly cool habits tend to be unhealthy things like smoking, so I expect the muscular guy to be Good/Nice. Mileage may vary, I guess, however like so much else that doesn’t work terribly well in this book, it’s evidence of shallow shallowy-ness.

The main character, given the name Caden, is shallow. He thinks that he doesn’t quite fit the label of Nice, but he falls into it anyway because someone else is making that distinction and probably to make some kind of Divergent reference. His perception that he’s too Bad to be Nice doesn’t really go anywhere. Shallow character arc. Dylan is barely a character–he mirrors the Am I Really Bad/Nice? thing but does it better than Caden. Any potential he has as a character is lost in not having a written perspective. The narrative, technical reason he doesn’t have one is so that there can be a big misunderstanding in the latter part of the book to keep him and Caden from getting together. It isn’t even a believable misunderstanding. In fact, given the concept, Caden, Dylan, and the girl should have had their own POVs. Caden is about as exciting as tapioca pudding and can’t carry a book on his own.

The romance is insultingly shallow. In fact, all of the queer content was.  Caden goes through a questioning phase to realisation in such a rote manner that I not only could sing along in a mocking voice, but at one point, I managed to quote something nearly verbatim before the book got to it. His “OMG am I gay?” passage comes off as dated and insincere. It honestly sounds like it was written by someone else, it looks so out of place.

But the romance just made me sad. Why is it that so many books that hinge on an unexpected homosexual attraction fail to depict that attraction as anything other than author mandate? Sure, I could see why someone would find Dylan appealing–he’s good-looking and displays a lot of charming traits. But somehow it felt like the book just skipped over the parts where Caden showed why he in particular fell for Dylan. I was more invested in the romance between Ewan and Archie in A Hero at the End of the World. And I cannot for the life of me tell what anyone might see attractive about Ewan.

When I realised that the romance was never going to feel satisfying, the rest of it sort of deflated. It just isn’t a strong enough narrative. Side characters are nauseatingly, unrealistically nice. A lot of the plot falls flat as boring string holding together set pieces of cool moments. By the end, I was just bored. The concept I had been so excited to read about felt wasted. I hope that this isn’t the last time someone tackles a premise like this. I love meta humour and unexpected couples. I don’t think I killed this for myself with high expectations, though, as I really liked it up to a point. It simply wore me down with unsteady world-building and weak romance.

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Review – An Unseen Attraction

An Unseen Attraction, Gay Historical Romance by KJ Charles (also counts as Mystery)

Series: Sins of the Cities #1

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️⭐️⭐️⭐️⭐️

I don’t quite have auto-buys when it comes to authors because I tend to take forever to buy books that I desperately want. It drives Hubby crazy. But whatever my own weird equivalent of an auto-buy is, KJ Charles is one of them. Not only does she write gay historical romance as though it is not a gimmick or in a novelty in comparison to heterosexual historical romance, she’s also an excellent storyteller and damn classy.

Clem Talleyfer is an Indian-Englishman who doesn’t quite belong anywhere. He doesn’t speak Hindi and he was otherwise denied that half of his heritage, so he has trouble fitting in on that side, and being dark-skinned and illegitimate are enough to keep him from being considered truly English. He’s also clearly on the autism spectrum, which comes with its own social difficulties. I adored Clem. He’s sweet and self-aware, compassionate nearly to a fault, and loyal. His support network was also lovely.

Clem runs a boardinghouse. One of his tenants is Rowley Green, an intense, bespectacled taxidermist who sees his profession as artistic. The two begin with a quiet friendship of sharing tea and conversation in the evenings. They’re each crushing on the other, but neither is quite ready to risk making a move.

Then one of the other tenants, a massively unpleasant drunkard, turns up on the front steps dead and showing signs of torture.

It’s difficult to articulate what I liked so much about this particular book. There are tonnes of things that I wouldn’t have thought of beforehand that I apparently needed in my life. Polish Mark the PI, Rowley’s artistic musings on the art of stuffing animals, trips to see occasionally cross-dressing acrobats. The romance is a slow burn, which I mightn’t have expected to like, but did. The mystery is amazing, so the less said about it the better: Go Read This is all I have to say on that score.

In fact, just Go Read This.

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Review – High Season

Nacho Figuras Presents: High Season, Contemporary Romance by Jessica Whitman

Series: The Polo Season #1

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️

Oh boy, where do I even begin.

Full disclosure: while I love Romance and all of its subgenres, Contemporary typically has to work hard to impress me. Problematic elements like sexism (be it from the hero using or belittling women, or from the heroine invoking Not Like the Other Girls) or casual racism are harder to look past, the conflict is far less likely to appeal to me, and when I smell formula, my boots start to feel made for walking. So my review is probably most intended for other readers who are finicky about their Contemporary Romances, like me.

The Polo Season books are written by committee, and it shows in the worst way. Alejandro Del Campo is a typical rich hero with dead spouse angst. He is of the “reacts to suffering with asceticism” variety, which results in every single support character taking every single opportunity to declare him No Fun. Like many a hero of category romance, he comes with the hot and rich pedigree, but when his personality weighs in, he waffles like a madman so as not to offend anyone and to hopefully attract everyone. One of the first things he does is ride a horse at night the night before a game, explain that he is aware this is dangerous to both horse and rider, and then try to justify it. Charming first impression.

But I can take a waffly, not terribly inspiring hero. What really made my nose wrinkle was the heroine. Georgia seems more like a YA heroine than an actual adult who’s had relationships before and actually graduated from university. At times, I may have gone so far as to mutter aloud that she was being infantilised, by either the text or other characters. She’s a vet, and she gets a job with Alejandro’s polo team as the direct result of catching a life-threatening condition in one of their best horses. (yes, the one he rode the night before the game) But her knowledge about horses and equine medicine seems to fluctuate according to what the committee thought most appropriate at the time. Here, we must read her as capable and admirably expert, but in the next chapter, we must read her as cute and naive.

Her naivety made me want to smack her. Every single display of Alejandro’s wealth or the money involved in the sport made her drop her jaw and cry aloud. I’m sure I was supposed to be charmed by her humble ranch girl reactions to large expenditures, but I wasn’t. I was disgusted that she could have horses at home and be completely unaware of the obscene monetary value of a polo horse.

The story unfolds pretty much the way one would expect just from reading the summary on the back of the book. After Georgia saves his beloved mare, Alejandro up and kisses her without any buildup and they go to pants feelings pretty much all the time. She does stupid, childish things that either keep them apart for a modicum of pages–like mistaking his daughter for his girlfriend and being too idiotic to just ask if he’s single–or that make him like her even though they are childish and stupid–like forcing him to buy a subpar horse because she can’t bear that its fated to become glue. …I can sympathise, but her reasoning and behaviour in this situation didn’t make her look very good. Alejandro is also prone to dumb assumptions that could be cleared up with a brief conversation, but he’s generally just a cardboard man who exists to give Georgia sex and make her feel good about herself. There are a couple of false romantic leads, some predictable drama near the end, and then they live happily ever after. So at least there’s that.

It isn’t a complete wash. If you like categories, this delivers on all of the important points. If you don’t mind or actually like Big (and little) misunderstandings, then you’ll wonder what’s wrong with me. The parts of the book that are about polo are pretty good–certainly enough to satisfy readers who love sports romances. And while Alejandro rather bored me, I would not say the same about his family or even the majority of the supporting characters. His mother and daughter are entertaining archetypes written well, and with the exception of an antagonistic character who was wasted as a badly executed villain, I loved the people around Alejandro and Georgia much more than I cared for them.

I thought this would be the kind of Contemporary I would like despite my persnicketiness. With a better heroine and less predictable (and TAME) drama/conflict, it might have rated two or three stars. But I simply did not enjoy this.