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Review – Belle Revolte

Belle Revolte, YA LGBT+ Fantasy by Linsey Miller

My rating: ⭐️⭐️⭐️⭐️½ (4.5 stars)

I was incredibly affected and impressed by Linsey Miller’s debut Mask of Shadows. Assassins who actually did real murder—you wouldn’t believe what an impossible request this can be—a gender fluid protagonist, and politics galore. So when the publisher contacted me to see if I was interested in an ARC of her newest book, I said yes and thank you! I didn’t turn out to be such a gibbering fan over Belle Revolte, but I think the majority of Miller’s audience will love it.

Belle Revolte is split evenly between two protagonists on the same side of a conflict but who offer different tools to overcome the corruption that is tearing their kingdom apart. Emilie des Marais is a comtesse who wants to study medicine and become a magical physician, but is railroaded by her mother into a more traditionally feminine education in illusion and divination. In the first chapter, Emilie constructs a kind of switch with Annette Boucher, a girl she sees in the market who happens to look like her—but the story is not content to be a tale of swapped identity in magic schools.

Terminology is fun. Magic is divided between the midnight and noonday arts, magic users are called artists. The names are all French, with a very slight French air to the hierarchy and other proceedings.

The major focus is actually on the political conflict. Magic takes a physical toll on those who use it, to the degree that hacks, people who act as a conduit or buffer for artists of higher social class, suffer and die young. Both Annette and Emilie dislike this practice, but Annette is understandably more aggrieved by it.

They both wind up working for the rebellion/resistance in their own ways, which is when the book really picks up. Subterfuge!

For the most part, the dual narrative works. At worst, the steady swapping each chapter—which I think is 1:1 throughout the whole book, but I might be misremembering—slows the pacing or necessitates some re-reading to get back up to speed. But for me, Annette didn’t really work as a character, so in spite of her part of the story being the one I liked best, I had some trouble getting through her chapters.

Annette is characterized almost solely through external reaction. She’s put off by the excess of the wealthy and resentful of the way non-aristos are treated. But she isn’t a great revolutionary until the plot begins to call for it. Her arc as a midnight artist is choppy—she keeps saying “I can’t divine” even when she’s doing it all the time. There’s a plot/character reason for it, but since I didn’t understand why she kept saying that, it didn’t feel like a reveal to me.

The communication is awesome. The inevitable moments when Emilie and Annette have to stop their respective charades and confess their lies are great. Miller is amazing at constructing characters outside of the protagonists who have lives, thoughts, and drives of their own. In particular, the mentor characters Estrel Charron and Laurence du Montimer, as well as Emilie’s mother. Emilie thinks certain things about her mother that don’t bear out exactly as she sees the situation because she isn’t fully aware of her mother as a whole person, and I love it.

There is some romance. On the surface, it seems like precisely what I want, i.e., super gay. Romantic ace, lesbians, transgender love interest. But in actual practice and what content is on the page, there isn’t a lot of it and it’s pretty bloodless. There’s just too much else going on, and even when there are details, the style in which they are rendered doesn’t stand out against any of the other relationships. Which, while something of a shame, is WORLDS BETTER than being unintentionally problematic or an empty promise. The romance in this book is neither of those things, rejoice.

Overall, Belle Revolte is an excellent drama with bloody battles, discussions about worth and love, and an interesting magical world with consequences. The story can be a little confusing, but the ending is entirely satisfying. In particular, I recommend this book to readers who want to see more diverse female characters and good queer representation. Nonbinary people appear both named and unnamed, as evenly as male and female characters. All of the queer rep is wonderfully done, leaning into visibility and acceptance rather than flashy, under-baked LOOK AT HOW PROGRESSIVE I AM-ing, which I’m frankly sick of.

Again, thank you to the publisher for the ARC, and this is my honest review. Hopefully I didn’t forget any of the nice things I thought while reading it.

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Review – Shatter the Sky

Shatter the Sky, YA LGBT+ Fantasy by Rebecca Kim Wells

Series: Shatter the Sky

My rating:  ⭐️⭐️⭐️

(I received an ARC through NetGalley in return for an honest review.)

Like lots of people, I heard this was about someone saving her girlfriend with dragons and I leaped for it. It isn’t perfect, but I enjoyed it. Which is why I come down straight in the middle overall.

The world building is fantastic. There are different countries and cultures, whether that comes up in regards to fashion or customs. They aren’t all shallow archetypes based on European history, either. From the beginning, the details of the world are clearly well thought out and the delivery is natural and never too much at once.

Unfortunately, the plot and characters are rather weak. None of the characters are particularly memorable, including the protagonist. I forgot most of the names soon after finishing the book and had to look them up to write about them. Maren, the protagonist, has a decent arc though, going from timid and lacking confidence to being assured of her own worth and power and taking direct action. But this doesn’t alleviate the wobbly, happenstance nature of the plot.

While the pacing is slow and sometimes quite sleepy, I can’t bring myself to criticise it. I was never bored, and there were even times when the conflict would change Maren’s situation dramatically and I would be sorry not to see the status quo develop naturally rather than being interrupted. Which is (sadly) one of the reasons the plot feels so wobbly. Maren’s initial plan is a daydream-like impulse.

I am a dragon girl without a dragon. But what if I got one? What could I do then?

There’s not a clear way for her to achieve her goals. She even seems aware of this, more than once. The plot is a mix of incomplete plans and luck. To be bluntly honest, sometimes when the dragon stuff was driving the plot, I literally put the book down and reread parts of Joust. The plot promise of stealing a dragon and raising it in secret was far better in that book. Pit Dragon too.

However, the ending is fireworks and joy. It’s bombastic and even has some nice aha moments. I loved it. It’s honestly everything I signed on for. Dragons, girlfriend-saving. If you get to a part of the book you feel is sagging, stick in there for the ending. I promise it’s worth it.

I’m not entirely sure how to drop the sad news bomb about the bi rep, which I feel like I do often. From the beginning, I didn’t like Maren and Kaia’s relationship. It wasn’t that it was overly idyllic—that felt like part of setting up the tragedy of their separation—it was that they didn’t seem like two whole people in a relationship. It gets worse after they’re separated and we have only Maren’s perspective. Maren has some self esteem issues, and they appear to revolve around seeing herself as lesser than Kaia. To Maren, Kaia is this perfect being: prettier than her, braver than her, better than her. I hated every time Maren lamented a failure by telling herself that Kaia wouldn’t have failed. Certainly didn’t help that Maren follows attractions to two other people in the course of the story—not to the point of physical cheating, but certainly to emotional cheating.

The worst of it being that, in a story where the girlfriend is kidnapped and therefore not with the protagonist or even present for most of the story, there is basically a replacement love interest who is male. This is the guy Maren interacts with (more than Kaia in book real estate), and he has arguably more plot relevance.

I’ve thought about this a great deal. It just raises so many questions, and reminds me of exactly how deliberate a book is. Mren’s relationship with this guy takes up significant time and follows much of the tropes/expectations for a YA romantic subplot. Why couldn’t they just be friends? Why did Maren even have to be bi if the author didn’t know how to relate that orientation without showing her pursuing attraction to people other than her “heartmate?” Did someone think Maren had to “prove” her bi-ness or something? Why give her a label at all? Just tell us she’s in love with Kaia and that’s all that should matter.

But while I’m being bluntly honest all over the place, I did appreciate the attempt. I wouldn’t condemn it as a “nice try,” it’s better than that. Maren feels legitimate. Being unfaithful could be a character flaw—the problem is just that it’s a frequent, harmful stereotype for bi characters.

Do my complicated feelings show enough? heh. I want to reiterate that I had a good time reading, and my thinking this much about what bothered me is because it matters. I am grateful for the increasing number of LGBT+ representation in books, and this book is part of that. (I wrote all of this with one hand and trying not to aggravate a sprained wrist, so hopefully it’s all still clear.)

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Review – Once Ghosted, Twice Shy

Once Ghosted, Twice Shy; Contemporary Romance by Alyssa Cole (LGBT+)

Series: Reluctant Royals #2.5

My rating: ⭐️⭐️⭐️⭐️

Although I am still obviously in a reading slump, this was a quick read and I love Alyssa Cole’s books in general and this series in particular. It’s indicative of a slump that I had a slightly difficult time with this one.

Likotsi is awesome as ever, beginning the book with a practical plan to forget Fab, the woman whom she met in the first book and enjoyed a behind the scenes romance with. But by chance, they meet on the subway—and it’s a cute af—and Fab is back in her life as lovely and enticing as before. As much as Likotsi wants to know why Fab cut her off so suddenly, Likotsi also can’t ignore the fact that her feelings have not changed.

There’s a bit of a giant canyon gap for Fab to overcome here. Likotsi is the known character for those who have read the first book, and being the one who did the leaving in a second chance romance tends to mean having more work to win over the reader. Such was the case with me. I couldn’t help thinking that Fab was selfish pretty much of the time.

Maybe it was my bad mood and slump working against it, but I didn’t like how mysterious she acted instead of just coming out and answering Likotsi when they’re meeting months later and this woman quite reasonably asks why you gotta do me like that. The reason was serious, relatable, and empathetic, but I don’t know if I’d say it was a good reason. Actually dumping Likotsi was impulsive and selfish. Not actually justified by what happened. Fab just let her emotions drive the bus and screw whoever fell under it, which…no thanks.

AND YET I LOVED FAB. I loved her spark and her flightiness and her being a jewellery-making accountant. I loved her with Likotsi. Even when I was annoyed and making faces, I enjoyed myself immensely. This is the sweetest romance, and it gives love at first sight the fairest shake.

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Review – Red, White & Royal Blue

Red, White & Royal Blue, a gay Romance by Casey McQuiston

My rating: ⭐️⭐️⭐️

As FSOTUS, Alex Claremont-Diaz has a lot of social expectations to live up to, and in general, he navigates his position with ease. Except for one specific point of international diplomacy: he cannot stand His Royal Highness, Prince Henry. This dislike is long and storied. But when it results in a public altercation, the two have to make nice to restore their images.

In spending quality time together, they come to like each other a great deal better than expected.

My feelings on this book are so complicated, I had to unpack them.

I did not like the main character. Alex never has to answer for crappy things he does. However, I liked Henry quite a bit. Throughout the entire book, I wished for Henry’s perspective. He’s a wonderful example of a quiet, introverted character with emotional trauma which he has survived. I loved every time he unearthed an uncomfortable memory to share it with Alex. This is an incredible show of trust, and one of my favorite ways in which they connect. Henry described his psychological defense mechanism of visualizing painful memories as rooms in Buckingham Palace which he could lock. He felt like a complex, complete character, despite being represented by Alex’s POV in a primarily sexual way. Henry has a character arc. He begins the story lonely, unhappy, stand-offish, and afraid. At the end of the story, he’s opened up and confronted his fears to come out on the other side.

Alex…does none of that. He starts and ends the book confident, socially insular, impulsive, ambitious, unforgiving, judgmental, and selfish. While there are plenty of arguments to be made for protagonists with no arc, in Romance, it’s something of an expectation. Two people becoming better and conquering their problem together. Not one person who thinks he’s already perfect fixing his partner.

The writing style is generally fun and whimsical. I liked the secondary characters. There are some interesting personalities in the cast, and the parents are pretty funny. Alex’s mom is fabulous. And I certainly felt for Zahra.

The romance is a fun enemies to lovers story with a lot of positive family support for Alex. The dialogue is cute, often very funny, and while he didn’t face consequences or undergo more change than a bisexual awakening, he was ever called on his shit.

I do possess some bias in sharing the political views expressed and being, like Alex, a queer half-Mexican. The premise is my catnip as well. I think it’s a refreshing book that I’m glad I read. I liked it, but I didn’t love it. I was lucky to receive an ARC through NetGalley, and I felt pretty sad whenever I came across something that I wasn’t thrilled about. I’m sure the majority of this book’s audience will love it to the point of gushing, though.

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Review – The Lawrence Browne Affair

The Lawrence Browne Affair, Historical MM Romance by Cat Sebastian

Series: The Turner Series #2

My rating: ⭐️⭐️⭐️

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Three stars can either feel exactly right as a symbol of “I liked it” or it can be damning with faint praise. In this case, it’s the latter. This book feels like an exercise in mediocrity. Romance boiled down to instruction and formula, as if it had come in a flatpack from Ikea. The setting is just historically accurate enough to not trigger potato rage. But since most of it takes place indoors in Cornwall, that isn’t asking for much. The writing is probably better than good enough, but it gets lost in a sea of checked boxes and familiar tropes. Both of the main characters are an example of the latter.

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We’re told that Georgie Turner is a con artist who’s growing a conscience, despite his best efforts to quell it. Consequences for failure to fight that nascent conscience are already in play before the story begins. I say, “we’re told” because his behaviour doesn’t bear it out. He’s sentimental and squishy from the word go. There isn’t a character arc, he just eventually stops denying his squishiness.

Lawrence is an earl with scientific leanings, and he also thinks he’s mad. There seems to have been some attempt to imply the autism spectrum to a modern reader. These attempts fell flat for me, largely because the author seemed to forget about it. By the last third, madness was suddenly okay to joke about (because that isn’t insensitive) and his condition was flanderised into “he only eats ham and apples.”

I’m not kidding.

The romance has high points. For all that the initial attraction deserves the term ‘instalust’ they are genuinely into each other. They also develop a friendship first, and it’s lovely to see how they get to know each other through both caring observation and questions.

Unfortunately, the sex is pretty basic. There’s nothing wrong with it, it’s suitably sexy, but I had to make myself go back and read some scenes after skimming because nothing happens other than sex. Sex scenes should be an opportunity for the characters to discover things about each other, themselves, or at least to show that their relationship is something special. Maybe not every sex scene should be ~something more~ but at least one should. These felt interchangeable, like factory add-ons. They could have been between any two men so inclined. Ugh. It’s fine. The sex is fine.

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There’s too much plot, yet it doesn’t do anything but show up. A gangster has it in for Georgie, Lawrence’s voltaic piles, fear-mongering rumours about Lawrence, an eight-year-old son comes home for the holiday, smugglers because Cornwall. It feels like a laundry list. Some things are resolved, although not all of them need to be addressed in the manner they were addressed. Contrivance is rife. Other things simply fall by the wayside. Yet it all comes to a nominally satisfying conclusion. Everyone lives happily ever after, and I believe they will be happy.

Honestly, there is only one real problem with this perfectly competent novel. It has no substance. I feel like that’s why I had so many minor details to quibble over: there is nothing seriously wrong with this except that it doesn’t do anything special. Many people like or love it, and I can’t help thinking that it’s more due to the reader than the book. If you bring a slice of cake to an empty table, you get to eat cake and it doesn’t matter that the table didn’t actually give you cake. I don’t love tables for their correlation to cake.

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Review – The Starlit Wood

The Starlit Wood, an Anthology of Fairy Tale Retellings edited by Dominik Parisien and Navah Wolfe

My rating: ⭐️⭐️⭐️⭐️

Trigger warnings for rape and drug use.

This is probably the first multi author anthology I have read without skipping any of the stories. I didn’t like all of them equally, and I don’t believe I liked any two of them in the same way. However, they all manage to be exactly what I hoped—new fairy tales.

While there is obviously variation in tone, all of the stories adhere to the smokey baseline of mystical wonder. Even the tragic and the horrifying. Not everything mystical is something a body might want to encounter.

Some of the fairy tales used as inspiration are obvious, either right away or near the end. Others are either subtle or vague. It was kind of fun to guess while reading. There were only one or two fairy tales I didn’t know in their original form.

The writing styles run a range of poetic to humorous, with some fever dream wackiness that I admit could get dull or annoying. The Super Ultra Duchess of Fedora Forest was charming if silly, while Even the Crumbs were Delicious just reminds me of Kissing the Buddha’s Feet minus the fun of playing a game. And with less engaging characters.

This collection is worth at least a trip to the library for the truly standout stories. In the Desert Like a Bone, Seasons of Glass and Iron, Giants in the Sky, Reflected, and Spinning Silver. There are others that were good, but these struck me as the best, each in a different way. I heard somewhere that Spinning Silver might be extended or adapted into a full-length novel, but I could be misremembering. It’d be cool, though. Giants in the Sky made me laugh aloud, which was a desperately needed rhythm. It comes in not long after Some Wait, an upsetting take on The Pied Piper.

How I even came to read this book is a story in itself. I’m enrolled in my local library’s “Library at Your Door” program. Disabled library patrons request materials using the library’s website (or have them chosen by liaison) and receive them by post. I don’t remember requesting this book, and I’ve never had my books picked out for me. Yet one day it came in a purple post bag along with The Glass Town Game.

Spooky, I thought. And that’s the perfect sort of atmosphere in which to read this. A little unsure, questioning one’s memories. It’s a good book to read in the dark with a torch.

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Review – The Tiger’s Daughter

The Tiger’s Daughter, a Historical LGBTQ Romance by K Arsenault Rivera

Series: Their Bright Ascendancy #1

My rating: ⭐️⭐️⭐️

Using a star rating system for this book is problematic. Due to the insensitivity of treating East Asian cultures as interchangeably exotic or fantastic as purely fabricated cultures–and the specifically cringe-inducing derision of the naginata as a “coward’s” weapon–I feel compelled to go with one star and feel sad and disappointed. Indeed, if I’d come across this book after publication rather than being lucky enough to receive an ARC, I probably would have marked it as DNF when the first bizarre honorific kerfuffle appeared.

I’m sure the general response will be, “Oh, it’s a fantasy world, it doesn’t have to be historically accurate!” Maybe not, but it should have to actually understand the borrowed elements from the real world. Some of the names are real, but then some will be made up. Some world-building details are based on fallacies that could have been cleared up by a quick Google search, never mind a good non-fiction source book.

As to the story and overall execution, both are quite good! Is it well-written? I believe so. There are some first-time quirks that I can see improving over time. The writing itself is great, well-suited to historical fantasy. It can linger a little longer after making a point sometimes, though. The book could be shorter and not suffer. But that’s not uncommon. To some Fantasy readers, it might even be a point in its favour. Sometimes you’re just in the mood for a very long and flowery book.

The major draw is the lesbian romance. My mind is split on whether it is particularly well done. I always love to see a romance survive family disapproval and terrible odds of every kind. Like many first-time romances I’ve seen, the initial attraction is pretty much a sort of destined love at first sight thing for both of them. They experience some turmoil, a sexual encounter of questionable timing, and then they are so in love that mountains tremble at the mention of their names. It didn’t really draw me in. I saw a lot of admiration and declarations of love, but actual feeling never really seemed to shine through. I loved how they fought to stay together in the most bitter conflict, when death was on the line. But by then, if it was earned, it was by attrition rather than having drawn an emotional investment from me.

Most of the book is supposed to be a letter from one of the lovers to the other, who is an empress. By “most of the book” I honestly mean 80-90% of it. I think it’s realistically a large bound volume, and it covers their entire lifelong relationship, very very loosely held inside a framing device of the empress’s unhappy life as it is in the Now. Personally, I would have been happier if it could have just been a memoir or something, as it’s always jarring to me when dialogue scenes are written as normal/traditional prose inside what is supposed to be a letter–this character isn’t even meant to have an exceptional memory. But that’s a pretty minor quibble. It’s an interesting format idea and it’s executed fairly, despite my preference. I would have liked more from the framing device, as that would have helped the ending to feel less rushed. But it all wraps up nicely, and I don’t think I’d ask for more than that.

Let’s say 3 stars for good writing, decent romance, and some lovely characters, tempered by problems with the setting.

(I received an ARC from NetGalley in return for an honest review.)

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Review – Mask of Shadows

Mask of Shadows, YA Fantasy by Linsey Miller

Series: Mask of Shadows #1

My rating: ⭐️⭐️⭐️⭐️⭐️

This is the best book I’ve read this year!

If I were speaking aloud, I’d have to leave it at that. Because if I were speaking, anything further would just be gibbering happiness, the ultimate in Good Book Noises.

Luckily, I’m typing. I was sold on the premise alone, and it helps that the cover is gorgeous. A gender fluid thief competing to become an elite assassin in order to mete out revenge on behalf of their entire country? I may have literally shouted, “Sign me up!” When I was approved for a NetGalley ARC, there was a preview of the gibbering happiness. So here’s my honest review.

Sal is an amazing character. Not only a wonderful representation of a woefully underrepresented character type, but also one of the most complex vengeance-seeking characters of any I’ve seen. Growing up gender fluid myself, I wish I’d had a character like Sal to look to back then. (Mostly happy with “she” now, but I lost count of the times I whispered, “I know that feel,” to myself.) Sal is also awesomely intelligent and capable. It’s a joy to see them think through each conflict and triumph despite, at times, insane odds.

The supporting cast of characters is also quite good. I loved Maud, the servant assigned to Sal during the auditions, and Lady Elise is fun as both a teacher and a love interest. The rest of the elite assassins, the Left Hand, managed to be distinct without losing any of their mystique. Most impressively, the other auditioners didn’t just blend together. I’ve read the Hunger Games and some of Battle Royale, and neither of those books made the faceless competitors even seem like stand-ins for people. In Mask of Shadows, everyone is somebody, even if they don’t survive.

A lot of characters don’t survive. But every death has weight, and Sal isn’t indifferent to them.

The world-building in this book is tremendous and also effective. There’s internal logic and consistency. Magic was drained from the world to stop deadly shadows, and magic does not mysteriously/suspiciously return or work sporadically. It’s gone, so it’s gone. Although the world is expansive and complex, there are no eye-rolling info dumps. There is a timeline/history at the back of the book. Even that has some story weight.

This book seriously has a little bit of everything. There’s sorrow, ambition, death, clever manoeuvring, friendships, careful joy, love, political intrigue, personal agendas, fighting for one’s right to personal expression, sultry writing of poetry ink on skin, and hope.

I honestly can’t see anything else I read this year topping this book. I rarely reread anymore–not with 50 books on my To Be Read Before August list–but this book will be the exception.

(As I said in the review, I received an ARC through NetGalley in return for an honest review.)

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Review – Tash Hearts Tolstoy

Tash Hearts Tolstoy, Contemporary YA by Kathryn Ormsbee

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️⭐️⭐️⭐️

Give me more main characters who love a dead Russian author to the degree of counting him as a boyfriend! That was what initially intrigued me (by design, one might safely assume) and it mostly held up. I loved the way it informed Tash’s romantic asexuality. She’s so easy to identify/empathise with, that I still don’t know if that even reflects on me or if she’s just a well-written teen who is basically cool and decent. Flawed, obviously, but that’s part of the point of the story–she grows up and improves as a person by the end.

For the sake of context, I read this book in the long hours of pre labour. Breathing through increasingly painful contractions isn’t exactly a picnic, so I was glad to have this to ameliorate the stress.

Tash is a fairly sheltered young woman who takes a lot for granted. Her friends are always there for her (including her online crush), she knows where she’s going to school after graduation and what she’ll be studying, and her family is a strong support system. She and one of her best friends produce a Youtube serial adaptation of Anna Karenina called Unhappy Families, which gains an insane boost in popularity when an established Youtuber gives them some positive press.

Her negative reactions to sudden fame are a bit predictable, but they’re also understandable and realistic. I struggled a bit as her bad behaviour clashed with her perception of herself. For someone who professed to be so close to her friends and grateful for the closeness of her relationship with both friends and family, Tash does an awful lot of lying by omission, and generally withholds information to her detriment. While this is certainly part of her character arc and addressed in the text, I couldn’t help thinking that she must have been a pretty shitty friend for a long time if she was so unaware of how to communicate.

Also, for clearly personal reasons, I wasn’t terribly thrilled with her treatment of her mother after the announcement of an unexpected pregnancy. Despite repeated mentions that the pregnancy was unplanned, Tash and her sister both questioned their mother’s reasons for having a baby. How does one have reasons for something completely unplanned? Is this an implication that they think she’s making a choice by not having an abortion? She also gets maligned for “keeping it secret” which is stupid, because especially with a pregnancy at that age, one does not announce it until about the second trimester because of the chance of miscarriage in the first. I get that Tash felt displaced, but I didn’t sympathise.

Although I have to admit that I don’t think I would like Tash’s web series if it were a real thing, the portrayal of the work involved in the production, especially the rough bits like stuff that can ruin a day’s shooting, was wonderful. The young actors run the gamut from Casual and always late to Overly “Professional” and insufferable but suffered because of Talent. The latter character actually surprised me in the end, which was awesome.

There’s some great representation for marginalised teens in this book. Not only is Tash herself asexual, but one of the actors in Unhappy Families is gay, and another is bisexual. It’s all very easygoing and natural, without too much underlining.

Although she is the main character, Tash still manages to take up more narrative real estate than necessary, which has the effect of leaving all of the other characters feeling underdeveloped and some go sidelined overlong because Tash is too wrapped up in herself. It’s brilliantly meta, as it ties directly in to her character arc.

The romance is about as predictable as the Youtube Stardom main plot, but once again, it’s done well enough that I wouldn’t really count that as a mark against the book. Tash’s relationship with her online crush develops slowly, and she gets to enjoy it as one of the things going well for her, but it’s also a major point of stress thanks to her not being out and not having a clue how to come out to basically anyone.

This is a great read overall, but particularly effective if you’re looking for something satisfying and not too twisty or demanding.

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Review – The Love Interest

The Love Interest, YA Gay Romance by Cale Dietrich

Amazon | Barnes & Noble | Goodreads

My rating: ⭐️⭐️

My hopes were so high for this one, and for at least the first third, I managed to ride on those hopes without their being dashed. The writing style is punchy and funny. Even in first person present tense, the general hatred of which I am still getting over. (it’s a process.)

The opening world-building is a hopscotch court of meta jokes for YA readers. Love Interests are cultivated in a compound where they must hone their bodies to physical perfection, gaze at themselves in the mirror daily, learn pop culture so they can fit in, and fall into two factions categories: Nice and Bad. No names–they go by numbers until they are given a name and additional Pretties-esque makeover when they are assigned to make a person fall in love with them. Two Love Interests compete in a love triangle, and the one who is not chosen is doomed to die. But what happens when the Love Interests fall for each other?

Even in the beginning, I had a lot of minor nitpicks that I had to shelve in order to keep enjoying myself. While I liked the concept of the world-building, I never felt like it was very solid and it was certainly not without irritating holes. Why do they have to have plastic surgery when so much focus is placed on the strain of conventional beauty attained through grueling effort? Why are they stolen children? It didn’t bother me that this is what they were, but there wasn’t really any narrative reason. Why that source for the LIs? Why not test tube babies? Or sentient organic robots? Is this a dystopia or the regular world and the joke is that YA love interests in even straight-up contemporary YA are like this? The given reason for the entire Love Interest Compound is that they are matched to people who become influential/important and will presumably have privileged information with monetary value. This isn’t technically a bad reason, but it’s sort of dumped out there once and referenced after, but never actually explored. Which… describes much of the book.

One of the major indicators that someone was a Bad was that he had a bulkier musculature than a Nice, which didn’t work for me, since in my reading experience, YA Bad Boys are usually skinny angst pots. Exercise is wholesome, as is sunshine, and bad supposedly cool habits tend to be unhealthy things like smoking, so I expect the muscular guy to be Good/Nice. Mileage may vary, I guess, however like so much else that doesn’t work terribly well in this book, it’s evidence of shallow shallowy-ness.

The main character, given the name Caden, is shallow. He thinks that he doesn’t quite fit the label of Nice, but he falls into it anyway because someone else is making that distinction and probably to make some kind of Divergent reference. His perception that he’s too Bad to be Nice doesn’t really go anywhere. Shallow character arc. Dylan is barely a character–he mirrors the Am I Really Bad/Nice? thing but does it better than Caden. Any potential he has as a character is lost in not having a written perspective. The narrative, technical reason he doesn’t have one is so that there can be a big misunderstanding in the latter part of the book to keep him and Caden from getting together. It isn’t even a believable misunderstanding. In fact, given the concept, Caden, Dylan, and the girl should have had their own POVs. Caden is about as exciting as tapioca pudding and can’t carry a book on his own.

The romance is insultingly shallow. In fact, all of the queer content was.  Caden goes through a questioning phase to realisation in such a rote manner that I not only could sing along in a mocking voice, but at one point, I managed to quote something nearly verbatim before the book got to it. His “OMG am I gay?” passage comes off as dated and insincere. It honestly sounds like it was written by someone else, it looks so out of place.

But the romance just made me sad. Why is it that so many books that hinge on an unexpected homosexual attraction fail to depict that attraction as anything other than author mandate? Sure, I could see why someone would find Dylan appealing–he’s good-looking and displays a lot of charming traits. But somehow it felt like the book just skipped over the parts where Caden showed why he in particular fell for Dylan. I was more invested in the romance between Ewan and Archie in A Hero at the End of the World. And I cannot for the life of me tell what anyone might see attractive about Ewan.

When I realised that the romance was never going to feel satisfying, the rest of it sort of deflated. It just isn’t a strong enough narrative. Side characters are nauseatingly, unrealistically nice. A lot of the plot falls flat as boring string holding together set pieces of cool moments. By the end, I was just bored. The concept I had been so excited to read about felt wasted. I hope that this isn’t the last time someone tackles a premise like this. I love meta humour and unexpected couples. I don’t think I killed this for myself with high expectations, though, as I really liked it up to a point. It simply wore me down with unsteady world-building and weak romance.