Review – Belle Revolte

Belle Revolte, YA LGBT+ Fantasy by Linsey Miller

My rating: ⭐️⭐️⭐️⭐️½ (4.5 stars)

I was incredibly affected and impressed by Linsey Miller’s debut Mask of Shadows. Assassins who actually did real murder—you wouldn’t believe what an impossible request this can be—a gender fluid protagonist, and politics galore. So when the publisher contacted me to see if I was interested in an ARC of her newest book, I said yes and thank you! I didn’t turn out to be such a gibbering fan over Belle Revolte, but I think the majority of Miller’s audience will love it.

Belle Revolte is split evenly between two protagonists on the same side of a conflict but who offer different tools to overcome the corruption that is tearing their kingdom apart. Emilie des Marais is a comtesse who wants to study medicine and become a magical physician, but is railroaded by her mother into a more traditionally feminine education in illusion and divination. In the first chapter, Emilie constructs a kind of switch with Annette Boucher, a girl she sees in the market who happens to look like her—but the story is not content to be a tale of swapped identity in magic schools.

Terminology is fun. Magic is divided between the midnight and noonday arts, magic users are called artists. The names are all French, with a very slight French air to the hierarchy and other proceedings.

The major focus is actually on the political conflict. Magic takes a physical toll on those who use it, to the degree that hacks, people who act as a conduit or buffer for artists of higher social class, suffer and die young. Both Annette and Emilie dislike this practice, but Annette is understandably more aggrieved by it.

They both wind up working for the rebellion/resistance in their own ways, which is when the book really picks up. Subterfuge!

For the most part, the dual narrative works. At worst, the steady swapping each chapter—which I think is 1:1 throughout the whole book, but I might be misremembering—slows the pacing or necessitates some re-reading to get back up to speed. But for me, Annette didn’t really work as a character, so in spite of her part of the story being the one I liked best, I had some trouble getting through her chapters.

Annette is characterized almost solely through external reaction. She’s put off by the excess of the wealthy and resentful of the way non-aristos are treated. But she isn’t a great revolutionary until the plot begins to call for it. Her arc as a midnight artist is choppy—she keeps saying “I can’t divine” even when she’s doing it all the time. There’s a plot/character reason for it, but since I didn’t understand why she kept saying that, it didn’t feel like a reveal to me.

The communication is awesome. The inevitable moments when Emilie and Annette have to stop their respective charades and confess their lies are great. Miller is amazing at constructing characters outside of the protagonists who have lives, thoughts, and drives of their own. In particular, the mentor characters Estrel Charron and Laurence du Montimer, as well as Emilie’s mother. Emilie thinks certain things about her mother that don’t bear out exactly as she sees the situation because she isn’t fully aware of her mother as a whole person, and I love it.

There is some romance. On the surface, it seems like precisely what I want, i.e., super gay. Romantic ace, lesbians, transgender love interest. But in actual practice and what content is on the page, there isn’t a lot of it and it’s pretty bloodless. There’s just too much else going on, and even when there are details, the style in which they are rendered doesn’t stand out against any of the other relationships. Which, while something of a shame, is WORLDS BETTER than being unintentionally problematic or an empty promise. The romance in this book is neither of those things, rejoice.

Overall, Belle Revolte is an excellent drama with bloody battles, discussions about worth and love, and an interesting magical world with consequences. The story can be a little confusing, but the ending is entirely satisfying. In particular, I recommend this book to readers who want to see more diverse female characters and good queer representation. Nonbinary people appear both named and unnamed, as evenly as male and female characters. All of the queer rep is wonderfully done, leaning into visibility and acceptance rather than flashy, under-baked LOOK AT HOW PROGRESSIVE I AM-ing, which I’m frankly sick of.

Again, thank you to the publisher for the ARC, and this is my honest review. Hopefully I didn’t forget any of the nice things I thought while reading it.


Review – Kingdom of Exiles

Kingdom of Exiles, Fantasy by Maxym M Martineau

Series: The Beast Charmer #1

My rating: ⭐️⭐️

My review:

I’ve seen a lot of positive reviews for this book, and I was excited for it too. But I received an ARC from NetGalley in return for an honest review, and I honestly did not like it. Structurally, it’s like a Jenga puzzle mid-game, the main characters’ personalities as told are the polar opposite of how they speak and act, and the internal logic sent me off on long rants.

Problems appear almost immediately. There are too many proper nouns and concepts introduced at a dizzying speed. Leena is a charmer, a sort of beast tamer. She sells beasts, and that’s against the law. Noc is the leader of a guild of undead assassins. Also she’s exiled. Also he’s cursed. Also they have to work together. Also he has to kill her. Also she needs his blood as part of her redemption plan. Also they’re attracted to each other practically on sight in spite of having less than zero reason to feel that way.

Everything happens too quickly. The romance is forced, which exposes the problem of telling vs showing that is prevalent throughout.

The characters are frustrating. Noc is too emotionally squeamish to be a believable assassin. Leena’s choices never make any sense. She could use the beasts’ abilities to make money and survive while not breaking the law, but nah. She exists in a constant state of open emotional vulnerability, which is irritating and baffling. But more frustrating than the characters’ actual actions are the way the narrative tries to strong-arm events or developments.

I was told “Fantastic Beasts meets Assassin’s Creed” but the assassins were nothing like AC and the beasts… The blurb promises Fantastic Beasts, but the book delivers something much more akin to Pokemon fanfiction. Leena keeps her beasts in an extradimensional space, and they’re described using video game terms like B-Class. She also thinks of them exclusively in terms of either their abilities or classifications.

How are beasts classified? By who? To what purpose? Real fauna have Kingdom, Phylum, Class, Order, Family, Genus, and Species. Why do beasts get graded A-E? Even pokemon have types and stuff. Why does she keep the beasts in pokeballs—I mean, the beast realm? I guess Fantastic Beasts has the briefcase, but that isn’t remotely the same thing.

The entire enterprise is too off-key to even be dumb fun. It’s a shame, because there are a lot fun ideas in here. The beasts are cool, and the locations were creative as hell. The ideas simply aren’t organised well, and the characters need a “kill your darlings” pass. Better pacing in later books might draw me back in.


Review- Smitten by the Brit

Smitten by the Brit, a Contemporary Romance by Melonie Johnson

Series: Sometimes in Love #2

My rating: ⭐️⭐️

Bonnie Blythe has a lot to be anxious about. Her best friend is getting married after a brief courtship, which thing Bonnie cannot help comparing to her longtime engagement to her high school sweetheart. Her troublesome crush on a British man she met on a trip to Europe notwithstanding. Until she discovers her fiancé is cheating on her, just when her crush is in town.

Said British crush, Theo Wharton, has his own problems. He is another in a long tradition of titled people lacking funds. Not to mention his unfortunate crush on an unavailable American.

You see where this is going.

In all fairness, I should have figured that I would not care for a book with a twee title that uses the word “Brit” as though it isn’t borderline archaic. I should have known that “Britishness” would be fetishised and reduced to tourism while Theo talks as if he is either quite old or using a list obtained from a Google search for “British slang.” At one point, there’s an attempt to describe someone’s accent when he had only said “sorry,” and I spent ten minutes trying to recreate it using the description as instructions. I just ended up saying 서리 over and over. It got very cold. …Pardon the pun, I had to.

However. The publisher sent me an ARC through NetGalley (thank you) and it sounded like a movie. Also I was in the mood for cute.

It delivers on cute. Bonnie is almost unbearably cute at times. I liked her nerding out over things she liked, and she was generally sweet. But she was also aggressively pure. I don’t care what a heroine’s level of sexual experience is, but Bonnie’s attitude toward sex grated on me. The kind of nervous innocence that drives an adult woman to use the phrase “one of those” to refer to a prospective lover’s penis. Just… uh, no to that, actually. The sex scenes suffered for it. Neither party seemed terribly comfortable—although enthusiasm was not a problem?—and there were so many little things that felt off. I found myself over-analysing what was going on and why I didn’t care for it. At my worst, I was giving them tips.

One aspect of the book which I absolutely adored was all of the women. There are so many people in this book for what it’s trying to do, and most of them are women. They’re varied, nuanced characters who all have positive relationships with one another. My favourite scene was when Bonnie’s friends drop everything to deliver an impromptu object lesson on how to give a blowjob using ice pops and fruit snacks.

As women’s fiction, I would say this is decent. It has the sort of emotional payoff one might expect from a story primarily about a woman dealing with the fallout of one relationship and beginning another. Bonnie’s friends support her, she gets a job opportunity that takes her out of the country, and she rediscovers a love of writing.

But as a romance, it leaves something to be desired. Theo isn’t a bad character, but his story is less compelling. Bonnie and Theo already like each other before the story even begins and once she’s single, the only things keeping them apart are Bonnie’s hang-ups. And some of those are difficult to understand in a narrative sense.

It’s funny and pays off in some places and wobbly and awkward in others. Ultimately, I disliked more than I liked about it. Ah well. There’s an audience for it, I’m sure.


Review – Red, White & Royal Blue

Red, White & Royal Blue, a gay Romance by Casey McQuiston

My rating: ⭐️⭐️⭐️

As FSOTUS, Alex Claremont-Diaz has a lot of social expectations to live up to, and in general, he navigates his position with ease. Except for one specific point of international diplomacy: he cannot stand His Royal Highness, Prince Henry. This dislike is long and storied. But when it results in a public altercation, the two have to make nice to restore their images.

In spending quality time together, they come to like each other a great deal better than expected.

My feelings on this book are so complicated, I had to unpack them.

I did not like the main character. Alex never has to answer for crappy things he does. However, I liked Henry quite a bit. Throughout the entire book, I wished for Henry’s perspective. He’s a wonderful example of a quiet, introverted character with emotional trauma which he has survived. I loved every time he unearthed an uncomfortable memory to share it with Alex. This is an incredible show of trust, and one of my favorite ways in which they connect. Henry described his psychological defense mechanism of visualizing painful memories as rooms in Buckingham Palace which he could lock. He felt like a complex, complete character, despite being represented by Alex’s POV in a primarily sexual way. Henry has a character arc. He begins the story lonely, unhappy, stand-offish, and afraid. At the end of the story, he’s opened up and confronted his fears to come out on the other side.

Alex…does none of that. He starts and ends the book confident, socially insular, impulsive, ambitious, unforgiving, judgmental, and selfish. While there are plenty of arguments to be made for protagonists with no arc, in Romance, it’s something of an expectation. Two people becoming better and conquering their problem together. Not one person who thinks he’s already perfect fixing his partner.

The writing style is generally fun and whimsical. I liked the secondary characters. There are some interesting personalities in the cast, and the parents are pretty funny. Alex’s mom is fabulous. And I certainly felt for Zahra.

The romance is a fun enemies to lovers story with a lot of positive family support for Alex. The dialogue is cute, often very funny, and while he didn’t face consequences or undergo more change than a bisexual awakening, he was ever called on his shit.

I do possess some bias in sharing the political views expressed and being, like Alex, a queer half-Mexican. The premise is my catnip as well. I think it’s a refreshing book that I’m glad I read. I liked it, but I didn’t love it. I was lucky to receive an ARC through NetGalley, and I felt pretty sad whenever I came across something that I wasn’t thrilled about. I’m sure the majority of this book’s audience will love it to the point of gushing, though.


Review – True Cowboy Christmas

True Cowboy Christmas, Contemporary Romance by Caitlin Crews

Series: Cold River Ranch #1

My rating: ⭐️⭐️⭐️⭐️⭐️

I was provided an ARC from the publisher through NetGalley—rather unexpectedly. Which is appropriate, as this one was a delightful surprise for me. But before getting into why, here’s the setup.

Gray Everett, widower father of teenage Becca and eldest brother of Ty and Brady, has just buried his notoriously angry, bitter drunk of a father, Amos. To Gray’s dismay, Amos left the ranch to all three of his sons, in spite of the fact that the younger two left home and Gray alone seems to contribute. After some bickering, Gray realizes he is in need of a wife. A proper, rancher’s wife, to help around the place and give his daughter a more stable bit of family.

His eyes fall on the nearest neighbor, Abby Douglas. Stable is her middle name. She’s down to earth, kind, and famously competent. The local cafe—yes, just one—has seen constant changes in name and management, but Abby has kept it going from her own position for years. Unknown to Gray, Abby has also nursed a profound crush on him for even longer than that. So when he up and proposes the day after his father’s funeral, she’s both intrigued and completely disbelieving.

I am not a diehard cowboy lover. A dabbler, at best. So when the hero prosed on about the virtues of the land, hard work, legacy, and the Colorado sky, I wasn’t flooded with fellow feeling. The other side of that is that he dumps on glamour, trends, and progress. The word “princess” is used as a pejorative twice, which annoyed the hell out of me. The first 10-20% of the book was hard for me to read. Gray dominates the narrative, and Abby’s crush on him—while it would make for great fanfiction—makes their initial romance feel rushed and underdeveloped.


Not only was basically everything I was wrinkling my nose over addressed directly in the book, but it was done in such a knockout way that I’m still reeling. Abby and Gray both have significant issues thanks to their respective parents’ A+ Parenting. Abby’s is the kind of self-repression and loathing that is depressingly common in real life. The portrayal of her anxieties and feelings is amazing. It definitely makes up for her seeming lack of agency in the beginning. And that ties into the conflict between her and Gray.

Childhood Crush romances don’t usually work for me because it always seems like there isn’t enough conflict or enough anything. Literally half of the work is done—unless the author covers the fact that a crush is not real love, especially when done from afar. Abby has to learn who Gray is, and I love it.

It doesn’t quite stop this really being Gray’s story though. His issues with his family, both living and dead, take up a lot of space. They absolutely should. In fact, the more I think about the things that bothered me in the beginning, the more it all feels necessary to serve the story.

Both Abby and Gray begin their marriage of convenience with an imaginary person. The manufactured dream of a longtime crush, and the idealistic solution to the Marriage Problem. Neither considered that the other would do anything unexpected or undesirable. Seeing Gray realize that all of his relationships had already been similarly affected may have been my favorite thing while reading. He has very concrete opinions that he drops like facts. When it comes to people, those static impressions carry less and less weight as he contemplates the part he has to play in his relationships with them.

As a holiday read, it probably doesn’t tick all of the boxes for people who like Christmas books. There is no religious relevance that I could see. It was a difference in ideology and a point of contention for them, and not a major part of the plot. I prefer it that way, since I don’t like Christmas much myself, but I feel it’s worth pointing out.

It’s always memorable when I start out a book less than excited by the premise, less than engaged by the first few chapters, and then gripped and totally in love by the end. I eagerly await the next book in the series, and I want to check out Crews’s backlist. Seriously, I am obscenely impatient for Ty’s book because that man is an enigma and I NEED TO KNOW.

Recommendation-wise, I would tell basically anyone to read this. The writing style is fun, the niche elements are never too heavy for people who are indifferent or actively dislike them, and the emotional content is so so good.


Review – Kiss the Girl

Kiss the Girl, a Contemporary Romance by Tara Sivec

Series: The Naughty Princess Club #3

My rating: ⭐️⭐️⭐️⭐️

I love this series. Each book works as a standalone and bears repeat reading with glee and freshness. I had the roughest time of my life while reading this (obviously unrelated to the book) and ended up rereading sections rather than straight-up continuing as if it were a regular book. Simply because it resonated so deeply with me.

As presented in the previous Naught Princess books, Ariel Waters is a shit-talking, no-nonsense woman-shaped wrecking machine who drinks hard, plays hard, and doesn’t do feels. She is also a pretty damn good friend, especially if it ever came to buying bodies. She came out of a crappy marriage and lost her thriving antique business to alimony payments.

From the beginning, layers begin to pull back, revealing the softer vulnerabilities that Ariel has so far kept masterfully hidden under a thick veneer of STI jokes and liberal use of the word ‘fuck.’ She crumbles under the weight of adult responsibilities like turning in paperwork on time and behaving in a Starbucks. Due to this, she loses her house in the beginning of the book and finds herself bereft of her stuff—the antiques that give her comfort—and needs somewhere to stay. As her two best friends are not in a great place to provide that, she winds up staying on a boat provided by Eric Sailor, the co-owner of Charming’s who has shared a flirt and fuck off non-relationship with her since the first book.

It scared me how much Ariel reminded me of myself, considering I did not like her when I first read At the Stroke of Midnight. But that in itself is probably telling.

Almost more than a romance, this is a story about Ariel getting her power back, accepting those parts of herself she’s rejected, and adulting. The romance is empowering and very carefully crafted to be positive at all times, which I definitely appreciated. It could veer into over the top at times, but Ariel is over the top, so it isn’t like that’s not on theme. There are some romcom tropes in play that made it feel cinematic and nostalgic, while also addressing the kinds of things that make those tropes problematic.

In the first 25-40%, I’ll admit that the fairy tale meta humor was far less present than in the previous books. Especially when compared to In Bed with the Beast, which was employed it to great effect. The Disney adaptation of The Little Mermaid is the only reference on offer and it’s all surface-level jokes that rely heavily on ‘Member That Thing? which…meh. Ariel’s ex is named Sebastian and has French affectations for some reason—mostly the meta humor is in people having certain names The antiques stuff is consistently a good draw from the Disney movie, so I ultimately decided I was happy with this element.

Fitting for the last installment in the series, this book doubles down on the most positive things the series has to offer as a whole—the fun, the sexiness, the ridiculous antics the three friends get into while drunk, and the healthy relationships they have with each other and their significant others. I love the mix of bickering and vulgar language that is vigorously stirred together with love of every kind and trust.

I recommend this and the other books to anyone who wants to inject some positivity into their lives and is super tired of other people telling them to curse less.

Deepest thanks to NetGalley and the publisher for providing me with an ARC in return for an honest review.


Review – Don’t Look Back

Don’t Look Back, Romantic Suspense by Dawn Ryder

Series: Unbroken Heroes #6

My rating: ⭐️⭐️⭐️

The publisher provided me with an ARC through NetGalley in exchange for an honest review.

Tension, high stakes, and beautifully stylised drama. While many Romance series can be read out of order, this series has a linear plot and a lot of it. I recommend reading this one after the others.

Particularly since it starts on a note of emotional suspense that relies on some attachment to main characters and supporting ones. At the christening of Vitus and Damascus Hale’s daughter, an assassin lurks with his finger on the trigger. Political intrigue and grudges held by a powerful man drive much of the action.

Thais Sinclair and Dunn Bateson are both competent, confident, and even a bit snarky, in a political thriller style. They have excellent chemistry, although I wasn’t entirely sure what kept them apart sometimes. Thais is an interesting character—she strives to be hard as nails, but desires a softness that she feels is incompatible with her job as an intelligence agent.

Unfortunately, due to the sheer size of the cast and the fact that some investment in the plot is predicated on prior knowledge, I had trouble getting into the plot. Which is a shame, because this is a plot-heavy book. If you like crime investigation fiction and romance and have trouble picking between them, this would be a great series to pick up. I love Romance that delivers more than the usual portion of subgenre.

The writing style is rather like a score of tense music. Thumping and engaging. Not a lot of downtime though, likely because it delves into multiple viewpoints. This makes it ideal for the kind of reader who has frequent yet brief reading sessions. I read it that way mostly. Longer reading sessions felt binge-y and tired me out.

It bears repeating: This is definitely not a standalone. That isn’t a bad thing, however as I hadn’t read any of the previous books, I was often confused. There are tonnes of characters, all with not only their own motivations and relationships, but often complex histories that have bearing on things happening in the story’s present.

It’s dense, the emotions are bigger than life, and the heroes are all alphas. If that’s your thing, start with Dangerous to Know and enjoy the ride.

…okay, I can’t help adding—the names are SILLY. I read “Saxon Hale” and snort-laughed. It made me want a romance based on Saxton Hale and the Administrator.